CHINA: Historic Ensemble of the Potala Palace, Lhasa

The Potala Palace symbolizes Tibetan Buddhism and its central role in the traditional administration of Tibet. Also founded in the 7th century, the Jokhang Temple Monastery is an exceptional Buddhist religious complex. Norbulingka, the Dalai Lama's former summer palace, constructed in the 18th century, is a masterpiece of Tibetan art. The beauty and originality of the architecture of these three sites, their rich ornamentation and harmonious integration in a striking landscape, add to their historic and religious interest.
Construction of the Potala Palace began at the time of Songtsen of the Thubet (Tubo) dynasty in the 7th century AD. It was rebuilt in the mid-17th century by the 5th Dalai Lama in a campaign that lasted 30 years, reaching its present size in the years that followed, as a result of repeated renovation and expansion.
The Potala is located on Red Mountain, 3,700 m above sea level, in the centre of the Lhasa valley. It covers an area of over 130,000 m² and stands more than 110 m high. The White palace is approached by a winding road leading to an open square in front of the palace. Its central section is the East Main Hall, where all the main ceremonies take place. The throne of the Dalai Lama is on the north side of the hall, the walls of which are covered with paintings depicting religious and historical themes. At the top of the White Palace is the personal suite of the Dalai Lama.
The Red Palace lies to the west of the White Palace. Its purpose is to house the stupas holding the remains of the Dalai Lamas. It also contains many Buddha and sutra halls. To the west of the Red Palace is the Namgyel Dratshang, the private monastery of the Dalai Lama. Other important components of the Potala complex are the squares to the north and south and the massive palace walls, built from rammed earth and stone and pierced by gates on the east, south and west sides.
Building of the Jokhang Temple Monastery began in the 7th century CE, during the Tang dynasty in China. The Tibetan imperial court eagerly espoused Buddhism when it was introduced,
The site of the Temple Monastery was selected, according to legend, when the cart in which Wen Cheng was bringing the statue of Sakyamuni sank into the mud by Wotang Lake. Divination identified this as the site of the Dragon Palace, the malign influence of which could only be counteracted by the building of a monastery. The foundation stone was laid in 647 and the first major reconstruction took place in the early 11th century. During the century following the reunification of the Tibetan kingdom by the Sakya dynasty in the mid-13th century, a number of new developments took place. These included extension of the Hall of Buddha Sakyamuni and construction of a new entrance and the Hall of Buddha Dharmapala.
The Temple Monastery is in the centre of the old town of Lhasa. It comprises essentially an entrance porch, a courtyard and a Buddhist hall, surrounded by accommodation for monks and storehouses on all four sides. The buildings are constructed of wood and stone. The 7th Dalai Lama is reported to have had health problems and he used to come here for a cure.
The construction of Norbulingka started in 1751 with the Uya Palace. Successive Dalai Lamas continued building pavilions, palaces and halls, making it their summer residence, and soon the site became another religious, political, and cultural centre of Tibet, after the Potala Palace. Norbulingka (treasure garden) is located at the bank of the Lhasa River about 2 km west of the Potala Palace. The site consists of a large garden with several palaces, halls, and pavilions, amounting to some 36 ha. The area is composed of five sections.

CHINA: Wulingyuan Scenic and Historic Interest Area

The site lies in the Wulingyuan District of the city of Dayong and covers the entire drainage basin of the Suoxi Brook, which winds for 69 km through the site. The most notable feature, dominating about two-thirds of the site, are more than 3,000 quartzite sandstone pillars and peaks. Between the peaks are numerous ravines and gorges, many containing attractive streams, pools and waterfalls. The site also contains a number of karst features, notably some 40 caves which are concentrated on the banks of the Suoxiyu River and the south-east side of Tianzi Mountain. Huanglong or Yellow Dragon Cave is said to be one of the 10 largest caves in China. Spectacular calcite deposits are a major feature of many of these caves.
There are two spectacular natural bridges in the area: Xianrenqias (Bridge of the Immortals) and Tianqiashengkong (Bridge Across the Sky). It lies 357 m above the valley floor and may be the highest natural bridge in the world. The site is popularly known to have '800 brooks and streams' but in reality, there are far less, perhaps 60. Many drain into the Suoxi River which runs through the centre of the site. One of the side branches of this river has been dammed at one point, creating Baojeng Lake. This lake has been created for water supply, flood control and to enhance the habitat for the Chinese giant salamander as well as for recreation.
Wulingyuan lies in the Central China Botanic Region of the Sino-Japanese Botanic Zone, and was a refuge for many ancient species during the Quaternary glacial period. Below 700 m the community is predominantly evergreen broadleaf. Between 700 m and 950 m, there is a mixed community of evergreen and deciduous broadleaved trees. There are also some coniferous species including Chinese plum yew and pines. Above 950 m, there is a community of deciduous broadleaved trees, bushes and herbs; in some areas below 1,000 m, extensive communities are dominated by pine.
3,000 species of plant occur within the area, including some 600 species of woody plant; these are split fairly evenly between tropical/subtropical and temperate species. Many of the species are of value for timber, medical or ornamental purposes.
A number of faunal species are globally threatened with extinction: Chinese giant salamander, Asiatic wild dog, Asiatic black bear, clouded leopard, leopard and Chinese water deer. The clouded leopard population is likely to be very small, although tracks and others signs have been found they have never actually been seen.
Unlike many other areas of China, the site does not have a long human history. In ancient times it was regarded as remote and inaccessible. Local legends indicate that Zhangliang, a lord in the Han dynasty (206 BC-AD 220), lived in seclusion in Wulingyuan and was buried below Qingyan (now Zhangjiajie) Mountain.

ITALY: Mantua and Sabbioneta

Mantua Ducal Palace



Mantua and Sabbioneta offer exceptional testimonies to the urban, architectural and artistic realizations of the Renaissance, linked through the visions and actions of the ruling Gonzaga family. Mantua, a town whose traces stem from the Roman period, was renovated in the 15th and 16th centuries - including hydrological engineering, urban and architectural works. The participation of renowned architects like Leon Battista Alberti and Giulio Romano, and painters like Andrea Mantegna, makes Mantua a prominent capital of the Renaissance. Sabbioneta represents the construction of an entirely new town according to the modern, functional vision of the Renaissance. The defensive walls, grid pattern of streets, role of public spaces and monuments all make Sabbioneta one of the best examples of ideal cities built in Europe, with an influence over urbanism and architecture in and outside the continent. The properties represent two significant stages of territorial planning and urban interventions undertaken by the Gonzagas in their domains.
 Mantua and Sabbioneta are exceptional witnesses to the interchange of human values of the Renaissance culture. They illustrate the two main forms of Renaissance town planning: the newly founded town, based on the concept of ideal city planning, and the transformed existing town. Their importance relates also to architecture, technology and monu¬mental art. The properties have played a prominent role in the diffusion of the Renaissance culture in and outside Europe.
Mantua and Sabbioneta are exceptional testimonies to a particular civilization during a specific period of history, with reflections on urbanism, architecture and fine arts. The ideals of the Renaissance, fostered by the Gonzaga family, are present in their urban morphology and architecture, their functional systems and traditional productive activities, which have mostly been preserved over time.
Both properties meet the required conditions of integrity and authenticity, since their most significant urban and architectural components have been preserved over time, as has their relationship with their settings.
The legal protective structure and management system are adequate, as both properties exhibit a good state of conservation.

URUGUAY: Historic Quarter of the City of Colonia del Sacramento

The Historic Quarter of the City of Colonia del Sacramento bears remarkable testimony in its layout and its buildings to the nature and objectives of European colonial settlement, in particular during the seminal period at the end of the 17th century.
Dom Pedro, Prince Regent of Portugal, commissioned his chief minister Manuel Lobo, named Governor of Rio de Janeiro, in 1678 to found a settlement on the Río de la Plata, on the island of St Gabriel. Work began in 1680 and in 1690 Master Church and the Franciscan convent were built.
In 1704-5, during the War of the Spanish Succession, the town was razed to the ground after it was taken. Reconstruction began immediately, and by 1718 there were over 1,000 inhabitants. From the time that Antonio Pedro de Vasconcellos took over as Governor in 1722, Sacramento became the powerhouse of material, commercial and cultural development in the colony. The success of Sacramento as a commercial entrepot had a decisive influence on the development of Buenos Aires and its region.
The town changed hands again in 1762 when it was taken over by the Spanish, but returned to Portugal the following year, after yet another treaty was signed by the two rival powers. The successful siege of 1777 saw Sacramento definitively incorporated in the Spanish Empire under the terms of the treaty of San Ildefonso; part of the fortifications were dismantled and a few houses demolished, but the urban fabric for the most part survived. Between 1839 and 1851 the new nation was engaged in the 'Great War' against its neighbour, Argentina. What remained of its defences was finally demolished in 1859. However, much influence had passed to the national capital, Montevideo. The historical importance of Sacramento was first recognized in 1924, when there was an unsuccessful attempt to have part of the town designated a National Monument.
The old Portuguese town, Nova Colonia do Santissimo Sacramento, was built on the extreme west side of a peninsula near the Río de la Plata. The town itself was bounded by water on its north, west and south sides and to the east by the former lines of defensive walls and bastions.
Today the historic area is defined by the axis of Calle Ituzaingo. The range of buildings is wide in both time and style, and the town has preserved its urban layout and a remarkable collection of structures bearing witness to its more than three centuries of Portuguese, Spanish, and Uruguayan history. Its form is organic, adapted to the topography of the site. It also exercised an unquestioned influence on architectural development in colonial style on either side of the Río de la Plata, where there are examples of Portuguese influence. A number of distinguished Portuguese architects served the Portuguese state in the former Colonia del Sacramento.
The foundation of the town was in fact a somewhat delayed consequence of the claims of the two great colonial powers, Portugal and Spain, in South America, who competed for the power to export the riches of the mines in Peru and the fruits of the agricultural areas in Brazil.

JAPAN: Historic Monuments of Ancient Kyoto

Ginkakuji Temple



Kyoto was the main centre for the evolution of religious and secular architecture and of garden design between the 8th and 17th centuries, and as such it played a decisive role in the creation of Japanese cultural traditions which, in the case of gardens in particular, had a profound effect on the rest of the world from the 19th century onwards. Buddhism had already been introduced from China and Chinese culture was having a profound influence on Japan when the capital was moved from Heijo-ko (Nara), after 10 years at Nagaoka, to Kyoto, under the name of Heian-ko, in AD 794. The city plan was modelled on Chinese cities such as Changshan, capital of Tang China. It was the heart of the aristocratic society that clustered around the imperial court for the four centuries of the Heian period (794-1192). For most of this period there was a prohibition on the building of Buddhist temples inside the city, apart from the two imperial temples (To-ji and Sai-ji).
Properties on the World Heritage site that date from the foundation of Heian-kyo are Karmwakeikauchi-jinja (Shinto shrine), Amomioya-jinja (Shinto shrine), Kyo-o-gokoku-ji To-ji (Buddhist temple), Kiyornim-dera (Buddhist temple), and Enryaku-ji (Buddhist temple); the two large Buddhist temples of Daigo-ji and Ninna-ji are representative of the early Heian period. By the end of the Heian period the military samurai class was growing in power, and the resulting unrest, coupled with the fact that the world would enter its final years, according to Buddhist doctrine, in 1052, led to an increase in religious fervour. The Buddhist temple of Byodo-in and the Ujigami-jinja date from this period.
A civil war in 1185 led to the establishment of a samurai military regime at Kamakum; however, the imperial court remained at Kyoto. The Sekisui-in at Kozan-ji is the best example of the residential architecture of this period, which ended in 1332 with the establishment of the Muromachi Shogunate. This period saw the building of large temples of the Rinzai Zen sect, such as Temyu-ji, and the creation of Zen gardens, of which that at Saiho-ji is a representative example.
At the end of the 14th century, the Muromachi Shogunate reached the apogee of its power, and this is reflected in buildings such as the villa of Shogun Ashikaga Yoshimitsu, which later became the Buddhist temple Rokuon-ji. The villa of a later shogun, Ashikaga Yoshimasa, built in a more refined style in the mid-15th century, was also converted into a temple, Jisho-ji. Garden design was refined into pure art, as demonstrated by the garden of the abbot's residence at Ryoan-ji. Much of Kyoto was destroyed in the Onin War (1467-77), but it was rebuilt by a new urban merchant class, who replaced the aristocrats who had fled during the war. In 1568 Oda Nobunaga seized power, and he was followed by Toyotomi Hideyoshi, who unified the country and built a 23 km wall round Kyoto. The centre of power moved to Edo (present-day Tokyo) when a new shogunate was established under Tokugawa Ieyasu. The authority of the Tokugawa Shogunate was given material form in Kyoto with the construction of the strong castle of Ngo-jo at the heart of the city. At the same time Hideyoshi's defences were dismantled.
The political stability of the Momoyama period (1573-1614) saw a new spirit of confidence among both the military and the merchants, reflected in the opulence and boldness of the architecture, represented by the Sanpo-in residential complex and garden at Daigo-jo and the prayer and reception halls at the Buddhist temple of Hongan-ji, moved from Osaka to Kyoto as a symbol of the city's revival. The beginning of the long Edo period (1615-1867) saw Heian temples and shrines, such as Kiyomimdera, being restored in traditional style. During this period the supremacy of Kyoto as a centre of pilgrimage became established. After the Meiji restoration of 1868 the capital and the imperial court moved to Tokyo.
One of the results was the adoption of a modernization policy that led to the transformation of Kyoto into a modern city. This caused the city's cultural heritage to be neglected; however, the national government was aware of what was happening, and introduced the first ordinance for the protection of antiquities in 1871. This was superseded in 1897 by the important Ancient Shrines and Temples Preservation Law, which marked the beginning of the protection and conservation programmes of modern Japan.

FRANCE: Canal du Midi

This 360-km network of navigable waterways linking the Mediterranean and the Atlantic through 328 structures (locks, aqueducts, bridges, tunnels, etc.) is one of the most remarkable feats of civil engineering in modern times. Built between 1667 and 1694, it paved the way for the Industrial Revolution. The care that its creator, Pierre-Paul Riquet, took in the design and the way it blends with its surroundings turned a technical achievement into a work of art.
 The site is of outstanding universal value being one of the greatest engineering achievements of the Modern Age, providing the model for the flowering of technology that led directly to the Industrial Revolution and the modern technological age. Additionally, it combines with its technological innovation a concern for high aesthetic architectural and landscape design that has few parallels. The Committee endorsed the inscription of this property as the Canal du Midi clearly is an exceptional example of a designed landscape

NORWAY: Røros Mining Town and the Circumference

Røros Mining Town and the Circumference is linked to the copper mines, established in the 17th century and exploited for 333 years until 1977. The site comprises the Town and its industrial-rural cultural landscapes; Femundshytta, a smelter with its associated area; and the Winter Transport Route. Completely rebuilt after its destruction by Swedish troops in 1679, Røros contains about 2000 wooden one- and two-storey houses and a smelting house. Many of these buildings have preserved their blackened wooden façades, giving the town a medieval appearance. Surrounded by a buffer zone, coincident with the area of privileges (the Circumference) granted to the mining enterprise by the Danish-Norwegian Crown (1646), the property illustrates the establishment and flourishing of a lasting culture based on copper mining in a remote region with a harsh climate.

HONDURAS: Maya Site of Copan

Copán with its temples, plazas and terraces, comprises a type of architectural complex among the most characteristic of the Mayan civilization. The lengthy inscription on the Hieroglyphic Stairway Plaza is of considerable historical significance.
There is evidence that Copán was inhabited during the American Formative period (2000 BC-AD 300), although few remains exist today which attest to this occupation. The great period of Copán, paralleling that of other major Mayan cities, occurred during the Classical period, AD 300-900. Major cultural developments took place with significant achievements in mathematics, astronomy and hieroglyphic writing.
Architectural activity, as well, made strides during this period. The site of Copán went through three principal stages of development during which evolved the temples, plazas, altar complexes and ball courts that can be seen today. Shortly after 900, the site was abandoned. Although Copán was discovered in 1570 by Diego Garcia de Palacio, its existence did not receive worldwide attention until the work of John Lloyd Stephens from 1839 to 1841. Since then, numerous archaeological expeditions have explored and excavated various parts of the site.
The Mayan city of Copán as it exists today is composed of a main complex of ruins with several secondary complexes encircling it. The main complex consists of the Acropolis and important plazas. Among the five plazas are the Ceremonial Plaza, with an impressive stadium opening onto a mound with numerous richly sculptured monoliths and altars; the Hieroglyphic Stairway Plaza, with a monumental stairway at its eastern end that is one of the outstanding structures of Mayan culture. On the risers of this 100 m wide stairway are more than 1,800 individual glyphs which constitute the longest known Mayan inscription. The Easter Plaza rises a considerable height above the valley floor. On its western side is a stairway sculptured with figures of jaguars originally inlaid with black obsidian.
From what is known today, the sculpture of Copán appears to have attained a high degree of perfection. The Acropolis, a magnificent architectural complex, appears today as a large mass of rubble which came about through successive additions of pyramids, terraces and temples. The world's largest archaeological cut runs through the Acropolis. In the walls of the cut, it is possible to distinguish floor levels of previous plazas and covered water outlets.
During the period when Mayan civilization spread across Central America, Copán was the largest and most influential city in the south-eastern sector.
Copán remains endangered by continued erosion of the river, microflora; and the outlying complexes, by continued agricultural practices. The site is a seismic zone and had suffered damage from at least two earthquakes. Further, the natural surroundings of the area are being threatened by the infringement of the neighbouring town of Copán Ruins.

THE NETHERLANDS: Rietveld Schröder House

With its radical approach to design and the use of space, the Rietveld is an icon of the Modern Movement in architecture and an outstanding expression of human creative genius in its purity of ideas and concepts as developed by the De Stijl movement. It occupies a seminal position in the development of architecture in the modern age.
It was commissioned by Mrs Truus Schröder-Schräder, designed by the architect Gerrit Thomas Rietveld (1888-1965), and built in 1924. Mrs Schröder lived in the house for some 60 years, first with her children, then in the company of Rietveld, and finally alone. In the early years, until 1932, Rietveld kept a studio in the house; from 1958, after his wife died, he came to live there until his death. During this long period some changes were made in the interior, resulting partly from the needs of the inhabitants, partly from the experimental character of the building itself. The building is now a museum.
The Rietveld Schröder House is the manifesto of the De Stijl, an influential group of artists and architects who took their name from a periodical founded in 1917. The periodical was devoted to modern neo-Plasticism, and it became the most influential voice for the ideals of modern art and architecture in the Netherlands. It invited contributions from the foremost artists of the time.

POLAND: Castle of the Teutonic Order in Malbork

This 13th-century fortified monastery belonging to the Teutonic Order was substantially enlarged and embellished after 1309, when the seat of the Grand Master moved here from Venice. A particularly fine example of a medieval brick castle, it later fell into decay, but was meticulously restored in the 19th and early 20th centuries. Many of the conservation techniques now accepted as standard were evolved here. Following severe damage in the Second World War it was once again restored, using the detailed documentation prepared by earlier conservators.


Malbork Castle is the most complete and elaborate example of the Gothic brick castle complex in the characteristic and unique style of the Teutonic Order, which evolved independently from the contemporary castles of western Europe and the Near East. The spectacular fortress represents the phenomenon of the monastic state in Prussia, founded in the 13th century and developed in the 14th century by the German communities of military monks who carried out crusades against the pagan Prussians on the south Baltic coast. The fortified monastery on the River Nogat represents the drama of Christianity in the late Middle Ages, stretched between extremes of sanctity and violence.
Over a span of two hundred years, since the 18th Century, the Malbork Castle has remained one of the major objects of European fascination with medieval history and its material remains. It also became a sign of the tendency to treat history and its monuments as instruments in the service of political ideologies.
   Malbork Castle is an architectural work of unique character. Many of the methods used by its builders in handling technical and artistic problems greatly influenced not only subsequent castles of the Teutonic Order but also other Gothic buildings in a wide region of north-eastern Europe. The castle also provides perfect evidence of the evolution of modern philosophy and practice in the field of restoration and conservation. It is a historic monument to conservation itself, both in its social aspect and as a scientific and artistic discipline.
Malbork Castle, a symbol of power and cultural tradition, is the most important monument to the monastic state of the Teutonic Knights, a unique phenomenon in the history of western civilization. The Castle is at the same time the major material manifestation of the Crusades in eastern Europe, the forced baptism of the Baltic peoples, and the colonization of their tribal territories, which played a vital role in the history of Europe.
 Malbork Castle is an outstanding example of the castles of the Teutonic Order, which evolved in the frontiers of medieval western Europe. It is a unique, perfectly planned architectural creation, with no equivalent in Gothic architecture. It was built with the use of the rich repertoire of medieval constructional methods; these were applied on an exceptionally large scale and resulted in the magnificent seat of the Grand Master of the Teutonic Knights.

POLAND: Centennial Hall in Wrocław

The Centennial Hall, a landmark in the history of reinforced concrete architecture, was erected in 1911-1913 by the architect Max Berg as a multi-purpose recreational building, situated in the Exhibition Grounds. In form it is a symmetrical quatrefoil with a vast circular central space that can seat some 6,000 persons. The 23m-high dome is topped with a lantern in steel and glass. The Centennial Hall is a pioneering work of modern engineering and architecture, which exhibits an important interchange of influences in the early 20th century, becoming a key reference in the later development of reinforced concrete structures.


The Centennial Hall of Wrocł aw is a creative and innovative example in the development of construction technology in large reinforced concrete structures. The Centennial Hall occupies a key position in the evolution of methods of reinforcement in architecture, and one of the climax points in the history of the use of metal in structural consolidation.
 The Centennial Hall is a pioneering work of modern engineering and architecture, which exhibits an important interchange of influences in the early 20th century, becoming a key reference in the later development of reinforced concrete structures.
As part of the exhibition grounds of Wrocł aw, the Centennial Hall is an outstanding example of modern recreational architecture that served a variety of purposes, ranging from conferences and exhibitions to concerts, theatre and opera.

ROMANIA- Dacian Fortresses of the Orastie Mountains

Built in the 1st centuries B.C. and A.D. under Dacian rule, these fortresses show an unusual fusion of military and religious architectural techniques and concepts from the classical world and the late European Iron Age. The six defensive works, the nucleus of the Dacian Kingdom, were conquered by the Romans at the beginning of the 2nd century A.D.; their extensive and well-preserved remains stand in spectacular natural surroundings and give a dramatic picture of a vigorous and innovative civilization.

Justification for Inscription

Criterion (ii): The Dacian fortresses represent the fusion of techniques and concepts of military architecture from inside and outside the classical world to create a unique style. Criterion (iii):The Geto-Dacian kingdoms of the late 1st millennium BC attained an exceptionally high cultural and socio-economic level, and this is symbolized by this group of fortresses. Criterion (iv): The hill-fort and its evolved successor, the oppidum, were characteristic of the Late Iron Age in Europe, and the Dacian fortresses are outstanding examples of this type of defended site.